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Dalongdong Baoshan Temple was first built in 1742 and rebuilt in 1805. It mainly worships the Great Emperor of the Medical Arts, commonly known as "Dalangben Temple" or "Daodagong Temple," and is a city-protected cultural relic. Every year on the 15th day of the third lunar month, in celebration of the birthday of the Great Emperor of the Medical Arts, a two-month event named "Baosheng Culture Festival" is held. This event combines religious rituals, folk art skills, historical site tours, arts and culture workshops, aesthetic competitions, family name operas, street parades, fire walking, health care, and academic seminars. It is the largest, most lively and popular temple fair in northern Taiwan, and has made Dalongdong an important cultural center in northern Taiwan. The decorative art of the Dalongdong Baoshan Temple, such as stone lions, dragon pillars, flower and bird motifs, cut paper, clay sculpture, colored porcelain, wood carving, and painted murals, are renowned artistic treasures, each with historical and artistic value. When the temple was built, it hired two master craftsmen, Guo Ta and Chen Yingbin, dividing the construction into two halves, each responsible for creating wood carvings, cut paper, clay sculpture, or colored porcelain. This healthy competition was a popular practice called "opposing construction." Therefore, when appreciating the decorative arts of the Baoshan Temple, one can simultaneously admire the works of different craftsmen on both sides. The seven murals on the corridor of the main hall are the works of the national treasure-level mural master Pan Lishui, attracting tourists from home and abroad who are reluctant to leave, praising them endlessly. Dalongdong Baoshan Temple has transformed from a local public temple into a temple that integrates religion, culture, education, and art. It has had a profound impact on the revitalization of the local culture of the Da Tong District in Taipei City. Especially the restoration and preservation of the historical buildings have drawn great attention both domestically and internationally. Although the temple has undergone multiple renovations and expansions since its reconstruction, due to its long construction history, it has suffered from wind, sun, and insect damage, seriously affecting the building itself, and no longer has its former splendor, posing safety risks. In order to protect cultural heritage, in 1995, the temple carried out the largest restoration project since its reconstruction. The temple raised all the funds on its own and took charge of the overall planning and supervision, becoming the first case in the country where a cultural relic was restored through private funding. The restoration project was awarded the "2003 Asia-Pacific Heritage Conservation Award" by UNESCO in 2003.